Camoflage in aggregate
I have for now set a parameter for myself to do a series of work with mostly white, grey and black and the reduction of colour. The simplicity of working in monochrome quiets the larger details allowing the nuances to step forward. White is used to evoke attention to structure and form and the use of the component of shadow.
Most of the white paintings have an under painting of colour which is gradually covered but not always completely eliminated. The sculpture is more completely white and or of industrial materials.